Rehearsing Hospitalities Beirut Er lauscht den Geschichten

Er lauscht den Geschichten

Brodie Crellin

Cultural liberation and musical innovation

During the early 1970s Richard Mabey explored crumbling city docks and overgrown bomb-sites

rage and love

Rehearsing Hospitalities Beirut Er lauscht den GeschichtenUpon what kind of power structures of knowledge and knowing are contemporary art and artistic institutions dependent? Do practitioners in the art field reproduce oppressive Western epistemic paradigms through artistic practices and institutional structures, and if so, is there space for emancipatory ways of knowing? What are the ways that intersectional subjectivities open up new epistemic processes within the artistic field? These are among the